A Text-book Of The History Of Painting 〈ESSENTIAL — REPORT〉

The Greeks and Romans moved toward naturalism. While most Greek paintings on wood have perished, their pottery and the frescoes of Pompeii reveal a mastery of light, shadow, and anatomy. Following the fall of Rome, European painting shifted toward the spiritual. During the Middle Ages, the goal of art was not to mimic the physical world but to illustrate the divine. Byzantine icons used gold backgrounds to represent the light of heaven, while Gothic painters began to experiment with more human emotions and architectural depth in religious altarpieces. The Renaissance and the Birth of Perspective

The Renaissance, beginning in 14th-century Italy, marked a "rebirth" of classical ideals combined with scientific inquiry. This era introduced linear perspective, a mathematical system for creating the illusion of three-dimensional space on a flat surface. Masters like Leonardo da Vinci developed sfumato, a technique of blurring edges to create a smoky, realistic atmosphere. Michelangelo’s Sistine Chapel ceiling showcased the heights of anatomical precision, while Northern Renaissance artists like Jan van Eyck revolutionized the use of oil paints to capture minute details and textures. Baroque, Rococo, and Neoclassicism A text-book of the history of painting

In the 17th century, the Baroque movement introduced drama and intensity. Artists like Caravaggio used tenebrism—the stark contrast between deep shadows and bright highlights—to create emotional impact. This gave way to the lighthearted, decorative Rococo style in the 18th century, which favored pastel colors and themes of leisure. However, the Enlightenment sparked a return to order and morality known as Neoclassicism. Inspired by the excavations of Pompeii, painters like Jacques-Louis David used clean lines and heroic subjects to inspire civic duty and virtue. The 19th Century: From Romanticism to Impressionism The Greeks and Romans moved toward naturalism