Abdurrahman Г–nгјl Allahд±m Allah Severim | Billah

: References to Hazreti Bekir (Abu Bakr) highlight the practice of internal remembrance, symbolizing the "zikir" on the tongue that leads to peace.

The song’s central metaphor, the Aşk Meydanı (Love Square), refers to a spiritual arena where the soul confronts the Divine. In Sufi tradition, this "square" represents the Sema —the ritual circle of remembrance ( dhikr ) where practitioners lose themselves to find God. The refrain, "Allah’ım Allah severim billah" (My Allah, Allah, I love [Him] by Allah), reinforces that true love for the Divine is not a choice made by the ego, but a grace granted by God Himself. Abdurrahman Г–nГјl AllahД±m Allah Severim Billah

Abdurrahman Önül's "Allah’ım Allah Severim Billah" (often titled as Aşk Meydanında ) is a cornerstone of contemporary Turkish Islamic music (ilahi), serving as both a rhythmic chant of devotion and a poetic map of Sufi-inspired theology. : References to Hazreti Bekir (Abu Bakr) highlight

Abdurrahman Önül is a pivotal figure in "Islamic pop," a genre that uses modern production to make traditional ilahi themes accessible to urban audiences. The refrain, "Allah’ım Allah severim billah" (My Allah,