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Read guide →The first segment is a gritty look at a loveless marriage and political ambition. It follows Lipakshi (Fatima Sana Shaikh) and Babloo (Jaideep Ahlawat), whose union is a calculated political move rather than a romantic one. The arrival of a handsome young employee (Armaan Ralhan) triggers a dangerous game of jealousy and betrayal, ultimately revealing that the "strange" element lies in the secrets husbands and wives keep from one another. 2. Khilauna (Directed by Raj Mehta)
Ajeeb Daastaans succeeds by moving beyond traditional Bollywood tropes to offer a nuanced, often uncomfortable look at modern Indian society. While the segments vary in tone—from the pulpiness of "Majnu" to the profound social commentary of " Geeli Puchi "—they are united by the idea that human desires and social hierarchies often create "strange" and tragic outcomes.
Widely considered the strongest segment of the anthology, " Geeli Puchi " (Sloppy Kisses) stars Konkona Sen Sharma and Aditi Rao Hydari. It masterfully explores the intersectionality of caste, class, and sexuality. Konkona plays Bharti Mandal, a Dalit woman passed over for a promotion in favor of Priya, a naive Brahmin woman. Their burgeoning friendship becomes a complex landscape of manipulation and survival, highlighting the systemic barriers that prevent genuine solidarity. 4. Ankahi (Directed by Kayoze Irani)
The final short is a poignant exploration of communication and emotional neglect. It stars Shefali Shah as a mother struggling to connect with her hearing-impaired daughter, while her marriage to her husband (Tota Roy Chowdhury) crumbles. She finds solace in a photographer (Manav Kaul) who is also hearing-impaired. The story uses sign language as a metaphor for the things we leave unsaid, concluding the anthology on a bittersweet, reflective note. Conclusion
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The first segment is a gritty look at a loveless marriage and political ambition. It follows Lipakshi (Fatima Sana Shaikh) and Babloo (Jaideep Ahlawat), whose union is a calculated political move rather than a romantic one. The arrival of a handsome young employee (Armaan Ralhan) triggers a dangerous game of jealousy and betrayal, ultimately revealing that the "strange" element lies in the secrets husbands and wives keep from one another. 2. Khilauna (Directed by Raj Mehta)
Ajeeb Daastaans succeeds by moving beyond traditional Bollywood tropes to offer a nuanced, often uncomfortable look at modern Indian society. While the segments vary in tone—from the pulpiness of "Majnu" to the profound social commentary of " Geeli Puchi "—they are united by the idea that human desires and social hierarchies often create "strange" and tragic outcomes. The first segment is a gritty look at
Widely considered the strongest segment of the anthology, " Geeli Puchi " (Sloppy Kisses) stars Konkona Sen Sharma and Aditi Rao Hydari. It masterfully explores the intersectionality of caste, class, and sexuality. Konkona plays Bharti Mandal, a Dalit woman passed over for a promotion in favor of Priya, a naive Brahmin woman. Their burgeoning friendship becomes a complex landscape of manipulation and survival, highlighting the systemic barriers that prevent genuine solidarity. 4. Ankahi (Directed by Kayoze Irani) Widely considered the strongest segment of the anthology,
The final short is a poignant exploration of communication and emotional neglect. It stars Shefali Shah as a mother struggling to connect with her hearing-impaired daughter, while her marriage to her husband (Tota Roy Chowdhury) crumbles. She finds solace in a photographer (Manav Kaul) who is also hearing-impaired. The story uses sign language as a metaphor for the things we leave unsaid, concluding the anthology on a bittersweet, reflective note. Conclusion concluding the anthology on a bittersweet
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