Bach - Cantata Darzu Ist Erschienen Der Sohn Gottes Bwv 40 - Rademann | Netherlands Bach Society Apr 2026

Rademann’s eyes were fierce as he leaned into the orchestra. He knew exactly what Bach was doing here. The text from 1 John declared, "For this the Son of God appeared, that he might destroy the works of the devil." The choir entered like a disciplined regiment, shouting blocky, rhythmic statements. They weren't just singing; they were marching into battle.

As the movements unfolded, the true antagonist of the piece emerged. Rademann’s eyes were fierce as he leaned into

Two natural horns tore through the silence with a heroic, blazing fanfare. This was not a sweet, comforting lullaby for a sleeping child in a manger. This was military music. They weren't just singing; they were marching into battle

The midwinter frost clung tightly to the stones of the church. Inside, the air felt heavy with the scent of damp wool and guttering beeswax. Hans-Christoph Rademann stood before the musicians of the Netherlands Bach Society. He raised his arms, taking a breath that seemed to pull the cold air straight from the rafters. With a sharp downbeat, the sanctuary exploded. This was not a sweet, comforting lullaby for

Then came the tenor aria, Christenkinder, freuet euch! (Christian children, rejoice!). The horns returned with another triumphant, golden flourish. The tenor's voice spun elaborate, joyful runs that mirrored the wind instruments, painting a picture of pure, unadulterated victory over darkness.

Written for the second day of Christmas in 1723, the work presents a unique take on the holiday. Rather than focusing on a gentle Nativity scene, Bach delivers a fierce musical battle cry.