: Froment often begins outside the theater, leading the audience to the entrance, only to scream "Get in!" before running off to kiss a random passerby.
The ultimate intent of the work is to invite the audience to find —a state of seeing without acting or thinking, simply allowing oneself to feel before thought takes over. It encourages a "sincerity toward oneself" in the face of a society that demands life be a constant, high-speed performance. Catherine Froment - La spectatrice de la vitess...
: Once on stage, she delivers a "tornado-like" monologue, an endless stream of imagery reflecting a world accelerating toward a dizzying future. : Froment often begins outside the theater, leading
: The protagonist is a narrator who "never stops dying and being reborn" in a desperate quest for immortality. : Once on stage, she delivers a "tornado-like"
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