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Map objects in the database — 657,583.
Map objects in the database — 657,583.
For many fans in the early '80s, this record was their first introduction to Bowie's diverse eras, from glam rock to the "Berlin Trilogy".
“This was the only K-Tel artist compilation that might appeal to me... it's lacking most of my absolute peak favorites, but this was still a very strong selection.” Post-Punk Monk · 3 years ago
Opinions vary from nostalgia for its curation to frustration over its technical flaws.
Released in late 1980 by K-Tel, was a budget-friendly compilation that became a massive success, peaking at number three on the UK Albums Chart. While it is praised for offering a comprehensive "gateway" to David Bowie's 1970–1980 period, it is equally notorious among audiophiles for technical compromises made to squeeze 16 tracks onto a single LP. Review Summary: The Good and the Bad
For many fans in the early '80s, this record was their first introduction to Bowie's diverse eras, from glam rock to the "Berlin Trilogy".
“This was the only K-Tel artist compilation that might appeal to me... it's lacking most of my absolute peak favorites, but this was still a very strong selection.” Post-Punk Monk · 3 years ago
Opinions vary from nostalgia for its curation to frustration over its technical flaws.
Released in late 1980 by K-Tel, was a budget-friendly compilation that became a massive success, peaking at number three on the UK Albums Chart. While it is praised for offering a comprehensive "gateway" to David Bowie's 1970–1980 period, it is equally notorious among audiophiles for technical compromises made to squeeze 16 tracks onto a single LP. Review Summary: The Good and the Bad