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Follows a highly skilled temporary worker navigating office politics.

Instead, this specific identifier belongs to the in Japan. In this context, "DGL" is the label code for the studio Dogma , and "071" refers to the specific volume number within their "Sunao na Hataraku Onna" series. Industry Context

A drama centered on the fierce competition within a fashion magazine editorial office.

The "Obedient Working Women" series typically follows a recurring format where the performers are portrayed in professional roles—such as office workers, teachers, or service staff—who are depicted as being submissive or "obedient" to their superiors or clients.

In Japan, these productions are classified as Adult Entertainment and are strictly regulated for viewers aged 18 and older. They are sold through specialized adult retailers like DMM or FANZA . Misidentification Note

Dogma is a well-known Japanese adult media producer known for niche, stylized, and sometimes controversial content.

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Dgl-071 Fucking Obedient Working Women Koharu Suzuki — Вђ“ Nekopoi

Follows a highly skilled temporary worker navigating office politics.

Instead, this specific identifier belongs to the in Japan. In this context, "DGL" is the label code for the studio Dogma , and "071" refers to the specific volume number within their "Sunao na Hataraku Onna" series. Industry Context

A drama centered on the fierce competition within a fashion magazine editorial office.

The "Obedient Working Women" series typically follows a recurring format where the performers are portrayed in professional roles—such as office workers, teachers, or service staff—who are depicted as being submissive or "obedient" to their superiors or clients.

In Japan, these productions are classified as Adult Entertainment and are strictly regulated for viewers aged 18 and older. They are sold through specialized adult retailers like DMM or FANZA . Misidentification Note

Dogma is a well-known Japanese adult media producer known for niche, stylized, and sometimes controversial content.

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