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Šarlo Akrobata’s 1981 album "Bistriji ili tuplji čovek biva kad..." is widely regarded as a foundational and avant-garde masterpiece of Yugoslav New Wave, blending post-punk, reggae, and free jazz [1, 5]. Recorded by Milan Mladenović, Dušan Kojić, and Ivan Vdović, the album is celebrated for its influential, experimental sound and lasting impact on regional music [2, 3, 4]. A detailed analysis of the album's, lyrical themes or its key tracks is available.
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