A "brooding miniature tone poem" inspired by William Blake, noted for its "chilling sting in its tail".
Highlighting Koch's virtuosity, this work is described as having "pungent and individual delights," shifting from violent to "gracefully plaintive" moods. A "brooding miniature tone poem" inspired by William
The recording features a mix of Gipps' symphonic and shorter works, primarily composed in the 1940s: Gamba is described as a "fine advocate" for
The orchestra is noted for its "bright colors," "swaggering energy," and "sharp attack" under Gamba's direction. Gamba is described as a "fine advocate" for Gipps' long-neglected repertoire. Key Works on the Album A "farmyard portrait" featuring "snarling brass chords" and
Reviewers from Gramophone and AllMusic praised Koch's performance in the Oboe Concerto , noting her ability to navigate "sharply contrasting moods" and "lyrical" passages with "impressive facility".
The major work on the disc, it is described by critics at the British Music Society as "passionate" and "committed," showing influences of Vaughan Williams and Bax but maintaining a "distinctive and original" voice.
A "farmyard portrait" featuring "snarling brass chords" and "flutter-tongued fanfares". Critical Consensus Gipps: Orchestral Works Volume 3 (Chandos)