: In Bulgaria and North Macedonia , it is a staple of Roma (Gypsy) musical traditions, often played in pairs where one musician performs the melody and the other provides a continuous drone ( dem ). Cultural Significance
: Most models feature seven finger holes on the front and one thumb hole on the back. Small additional holes near the bell, sometimes called "devil's holes" ( şeytan delikleri ), are used for tuning and tonal balance. Regional Variations kaba_zurna
: The longest versions (up to 55 cm) are most common in Thrace (Edirne, Kırklareli) and the Aegean regions (Muğla, Aydın). : In Bulgaria and North Macedonia , it
: Typically carved from dense tonewoods such as plum, mulberry, or apricot , the instrument features a conical bore and a wide, flared bell. Its length generally ranges from 38 cm to 55 cm . Regional Variations : The longest versions (up to
: It utilizes a double reed made from a specific type of cane, which is attached to a metal staple. A characteristic feature is the "pirouette," a small disc that the player presses their lips against to facilitate continuous circular breathing.
: Slightly shorter versions are frequently played in Central Anatolian provinces like Ankara, Sivas, and Tokat .