The piece opens with anxious, droning electronic textures and piercing, high violins that create an eerie, otherworldly mood.
In a legendary display of restraint, the signature hypnotic drumming of Harald Großkopf doesn't appear until nearly 23 minutes into the piece. When it finally kicks in, the tone shifts from somber anxiety to a hopeful, spiritual, and almost angelic ascent. Klaus Schulze - Heinrich von Kleist (X, 1978, Vinyl rip)
“Throughout the 29 minutes, the piece evolves and regresses much like the shifting tide... the atmosphere created here is so out-worldly and beautiful that you will need to take the effort to sit this one out.” Progarchives.com Essential Facts Schulze, Klaus - X - Amazon.com Music The piece opens with anxious, droning electronic textures
Listening to a high-quality of this particular track captures the specific warmth and dynamic range of the original 1978 Brain pressing. Given that "Heinrich von Kleist" occupies the entire fourth side of the original double LP, the vinyl format physically mirrors the long-form, immersive nature of the composition. “Throughout the 29 minutes, the piece evolves and
This track is a masterclass in patient, atmospheric build. It eschews the driving sequencers found earlier on the album in favor of a more .
“"Heinrich von Kleist" is the longest and spaciest piece yet... KS sorts layers of sounds nebulous and dense, letting them overlap as browned leaves riding currents of air to autumn's floor.” Sea Of Tranquility.org