Lecocq_mamzelle_angot_ballet_2_allegretto | Simple & Trusted

In 1947, Massine revived the ballet for the Sadler’s Wells Ballet (now the Royal Ballet) with additional music and a vibrant new orchestration by Gordon Jacob. Jacob's arrangement is what most modern listeners hear on recordings. Musical Character of the Allegretto

The (often listed as No. 2 or No. 7 in various suites) is a lighthearted, rhythmic section of the ballet Mam’zelle Angot , a work originally composed by Charles Lecocq and later given new life through an orchestral arrangement by Gordon Jacob . Key Origins and Adaptation lecocq_mamzelle_angot_ballet_2_allegretto

The ballet version premiered on October 10, 1943, at the Metropolitan Opera House in New York. It featured choreography and a libretto by the legendary Léonide Massine , who was a leading figure in the Ballets Russes. In 1947, Massine revived the ballet for the

The "Allegretto" movement is characterized by its nature, typical of the French opéra comique style. Lecocq: Mam'zelle Angot (Arr. Jacob): No. 7, Allegretto Feb 28, 2020 YouTube·National Philharmonic Orchestra - Topic 2 or No

Lecocq: Mam'zelle Angot - Arr. Jacob - 6. Allegro vivace. 7. Allegretto

The ballet is based on Lecocq’s 1872 opéra bouffe , La Fille de Madame Angot . This was one of the most successful operettas of the 19th century, known for its witty political satire and catchy melodies.