Peter Thomas - Kriminalfilmmusik (1998) Page

Peter Thomas is renowned for an "in your face" attitude in his compositions, often using avant-garde segments and "earworm" incidental music that redefined the sound of 1960s German cinema. This 1998 compilation is part of a broader discography that includes other essential works like 100% Cotton (1997) and Moonflowers & Mini-Skirts (1998). Peter Thomas – Kriminalfilmmusik - Discogs

: The album is a mix of Jazz, Stage & Screen, and Easy Listening. It features Thomas's signature "off-kilter" and experimental sound, characterized by sharp orchestral pop and thriller themes. Peter Thomas - Kriminalfilmmusik (1998)

Peter Thomas's , released in 1998 on the Prudence label, is a definitive compilation of his innovative "jazz-meets-orchestral" scores for German crime films (Krimis). Key Album Highlights Peter Thomas is renowned for an "in your

: The album contains rare tracks and outtakes, such as "Black Mamba" and "Shout At The Hexer," providing a deeper look into his creative process beyond just the main titles. Why It Matters Why It Matters : It includes original music

: It includes original music from several cult classic German thrillers, most notably those based on Edgar Wallace novels: Der Zinker (1963) Die seltsame Gräfin (1961) Der Hexer (1964) Das Verrätertor (Traitor's Gate, 1964) Zimmer 13 (1963) Das Geheimnis der weißen Nonne (The Trygon Factor, 1966)