Phenomenology Of The Visual Arts (even The Frame) -

: Far from just excluding what is outside, the frame can give the internal image a "special energy" in spatial and temporal dimensions that it would otherwise lack. August 2025 - Maya Decipherment

The frame is not just a decorative edge but a critical phenomenological device that structures the viewer's experience. Phenomenology of the visual arts (even the frame)

: This concept, developed by Paul Crowther in his work Phenomenology of the Visual Arts (even the frame) , refers to the set of perceptual factors that inform our basic cognition of the world, which visual art uniquely captures and aligns. The Phenomenology of the Frame : Far from just excluding what is outside,

: Mikel Dufrenne defines this as a "bodily comprehension" where the subject and the "aesthetic object" (the artwork as perceived) are fundamentally interconnected. The Phenomenology of the Frame : Mikel Dufrenne

: The presence of a frame can express a subtle "self-awareness" of the artwork's own existence as a created object rather than a direct window into reality.

: Philosophers like Maurice Merleau-Ponty argue that painting gives expression to the way our physical bodies encounter the world. Art reveals the "act of appearing" before the mind translates it into abstract concepts.

: The frame acts as a boundary that distinguishes the "inside" of the artwork from the "outside" world. It can function simultaneously as an artistic element that integrates the work and as a "defense" against the exterior world.