Ro.go.pa.g.(1963) -

It captures a specific moment in cinema history where Neorealism (Rossellini) met the Avant-Garde (Godard and Pasolini) .

A flight attendant is relentlessly pursued by an American tourist who has become obsessed with her "innocent" image from a home movie . Ro.Go.Pa.G.(1963)

A sharp, satirical look at the "Economic Miracle" in Italy and how mass consumption replaces genuine human identity. Why It Matters It captures a specific moment in cinema history