Akira Kurosawa’s Sanjuro (1962) serves as both a sequel to the 1961 masterpiece Yojimbo and a subversion of the jidai-geki (period drama) genre. While Yojimbo presented its protagonist as a cynical master of manipulation, Sanjuro introduces a more introspective version of the masterless samurai who finds himself babysitting a group of naive young warriors. Narrative Structure and Plot
The film follows the titular ronin (Toshiro Mifune) as he intervenes in a clan power struggle. Sanjuro in 35mm - Academy Museum of Motion Pictures Sanjuro
Akira Kurosawa’s Sanjuro (1962) serves as both a sequel to the 1961 masterpiece Yojimbo and a subversion of the jidai-geki (period drama) genre. While Yojimbo presented its protagonist as a cynical master of manipulation, Sanjuro introduces a more introspective version of the masterless samurai who finds himself babysitting a group of naive young warriors. Narrative Structure and Plot
The film follows the titular ronin (Toshiro Mifune) as he intervenes in a clan power struggle. Sanjuro in 35mm - Academy Museum of Motion Pictures
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