More title sequences from movies directed by Billy Wilder ➽ http://bit.ly/WilderTi... Title sequence from Some Like It Hot (1959), YouTube·MovieTitles
The film famously begins not with a joke, but with a grim, noir-inspired car chase in .
The title sequence itself, designed by the , is a straightforward presentation of the film's star power. In a film that pushed the boundaries of the Motion Picture Code and explored gender identity, the credits remain crisp and professional, anchored by the iconic names of Marilyn Monroe , Tony Curtis , and Jack Lemmon . Interestingly, although the film feels like a colorful "hot" jazz experience, it was shot in black and white because the lead actors' heavy female makeup appeared green on color film. A Deadly Serious "Cold" Open
The "Opening Image" features four somber men in a funeral hearse, seemingly mourning a loss.
When a police car pursues them, the "pallbearers" draw machine guns, and a stray bullet punctures the coffin—only for it to spray bootleg alcohol instead of holding a body.
Opening Title Sequence — Some Like It Hot 1959 --
More title sequences from movies directed by Billy Wilder ➽ http://bit.ly/WilderTi... Title sequence from Some Like It Hot (1959), YouTube·MovieTitles
The film famously begins not with a joke, but with a grim, noir-inspired car chase in . Some Like It Hot 1959 -- OPENING TITLE SEQUENCE
The title sequence itself, designed by the , is a straightforward presentation of the film's star power. In a film that pushed the boundaries of the Motion Picture Code and explored gender identity, the credits remain crisp and professional, anchored by the iconic names of Marilyn Monroe , Tony Curtis , and Jack Lemmon . Interestingly, although the film feels like a colorful "hot" jazz experience, it was shot in black and white because the lead actors' heavy female makeup appeared green on color film. A Deadly Serious "Cold" Open More title sequences from movies directed by Billy
The "Opening Image" features four somber men in a funeral hearse, seemingly mourning a loss. In a film that pushed the boundaries of
When a police car pursues them, the "pallbearers" draw machine guns, and a stray bullet punctures the coffin—only for it to spray bootleg alcohol instead of holding a body.