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Facing slightly right, step on R foot, then L foot behind (grapevine/side-step), followed by a quick step on R, then a slightly longer hold or hop. Measure 2: Repeat with opposite footwork (moving left).

Very lively, energetic, and often improvised. The name derives from kopam ("to dig"), referring to the active foot movements. 2. Music and Rhythm

Dancers often stomp or slap their heels/shoes during faster parts of the music. srednogorska_kopanica_srednogorska_kopanitsa

Before trying to move, listen to the music to feel the 2-2-3-2-2 rhythm.

Handholds are usually in a "W" shape (shoulder level) or belt-hold ("na lesa"). 4. Tips for Beginners Facing slightly right, step on R foot, then

11/16 (often counted as 2-2-3-2-2 or short-short-long-short-short). Formation: Closed or open circle/line, moving to the right.

The "long" 3-beat (long) occurs in the middle of the phrase. 3. Dance Steps & Structure The name derives from kopam ("to dig"), referring

Dancers often improvise during the fourth and fifth beats, adding "hlopchi" (slaps) or hop-steps. Common "Kopanitsa" Movements

Srednogorska_kopanica_srednogorska_kopanitsa

Very lively, energetic, and often improvised. The name derives from kopam ("to dig"), referring to the active foot movements. 2. Music and Rhythm

Dancers often stomp or slap their heels/shoes during faster parts of the music.

Before trying to move, listen to the music to feel the 2-2-3-2-2 rhythm.

Handholds are usually in a "W" shape (shoulder level) or belt-hold ("na lesa"). 4. Tips for Beginners

11/16 (often counted as 2-2-3-2-2 or short-short-long-short-short). Formation: Closed or open circle/line, moving to the right.

The "long" 3-beat (long) occurs in the middle of the phrase. 3. Dance Steps & Structure

Dancers often improvise during the fourth and fifth beats, adding "hlopchi" (slaps) or hop-steps. Common "Kopanitsa" Movements

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Srednogorska_kopanica_srednogorska_kopanitsa