Subtitle Il.casanova.di.federico.fellini.1976.b... Access

: Pay close attention to lighting and makeup ; Donald Sutherland’s prosthetic chin and high forehead are central to his "mask-like" appearance.

: The dehumanization of the protagonist in a world of artifice. 2. Plastic Reality: The Scenography of the Void subtitle Il.Casanova.di.Federico.Fellini.1976.B...

: Define Fellini’s "Anti-Casanova." State how the film subverts the myth of the great lover. : Pay close attention to lighting and makeup

: Analyze how Danilo Donati’s sets (the plastic sea, the oversized props) reflect Casanova’s internal emptiness. subtitle Il.Casanova.di.Federico.Fellini.1976.B...

: Fellini’s rejection of historical realism in favor of "psychological expressionism."

: The Clockwork Libertine: Dehumanization and Artifice in Fellini’s Casanova

: Pay close attention to lighting and makeup ; Donald Sutherland’s prosthetic chin and high forehead are central to his "mask-like" appearance.

: The dehumanization of the protagonist in a world of artifice. 2. Plastic Reality: The Scenography of the Void

: Define Fellini’s "Anti-Casanova." State how the film subverts the myth of the great lover.

: Analyze how Danilo Donati’s sets (the plastic sea, the oversized props) reflect Casanova’s internal emptiness.

: Fellini’s rejection of historical realism in favor of "psychological expressionism."

: The Clockwork Libertine: Dehumanization and Artifice in Fellini’s Casanova