Produced by , the live recording merges Leonard’s gospel foundation with Nashville's country and bluegrass influences. The arrangement features:
At the heart of "You’re Gonna Get The Glory" is a "heavy, declarative stance" on pain. Leonard co-wrote the track with contemporary Christian music leaders like and Dante Bowe , moving away from a simple "God will fix this" narrative toward a more profound "God is using this" theology.
Choosing the Ryman—a venue originally built in 1892 as a Union Gospel Tabernacle—allowed Leonard to reclaim the space's spiritual roots. This setting added a layer of "terrifying tension" to the song; her powerhouse vocals echoed through empty pews, mirroring the isolation felt by many during that global crisis. Lyrical Themes: Transformation vs. Restoration
