Girl From Dak Lak (2022): The

True to the directorial style of Mai Huyền Chi, the film explores themes of memory and belonging, treating cinema as an "act of care" for overlooked voices. Production and Recognition

Beneath her quiet exterior, Suong struggles with a personal dilemma she must eventually confront with her family. The Girl from Dak Lak (2022)

The film captures the repetitive, tedious nature of their work within "caging, barren walls," highlighting a sense of apathy and isolation. True to the directorial style of Mai Huyền