his father-in-law to secure a marriage with the beautiful Oiwa.
The film's cinematography by creates a "living scroll" effect, using heavy shadows and claustrophobic framing to reflect the inner rot of its protagonist, Iemon Tamiya. The Story of the Ultimate Betrayal
of his poverty-stricken life and plots to marry into wealth.
Oiwa’s eventual death and her return as a blood-moaning phantom lead to a "fever dream" finale. In his madness, Iemon is tricked into slaughtering his new bride and her family, believing he is defending himself against his first wife's ghost. Tokaido Yotsuya Kaidan (1959) - Pandemonium of Absence